12/11/2022 0 Comments Best live performer ever![]() ![]() ![]() By the time Carlos finishes things up with the big stadium rock ending, it’s clear that this is a record - and a band - for the ages. The storming “Hello There” and “Goodnight” bookend the record, with the amazingly kinetic “Clock Strikes Ten” drawing things to a close as the encore. Two new tunes also made their first appearances on At Budokan: the slashing pop-rocker “Lookout,” which was highlighted by some exquisite drumming from Carlos and the nine-minute-plus epic “Need Your Love,” which was co-written by Nielsen and Petersson and features perhaps the most flagrant “borrowing” ever of a T. It’s a damn sight better than the somewhat sissified studio version found on “In Color,” while that album’s “Come On, Come On” also benefits from some added instrumental “oomph” in a live setting. 7 on Billboard when released as the album’s first single. The live version of “I Want You to Want Me” included here became one of Cheap Trick’s signature songs (alongside the splendid “Surrender,” which is also here), and reached No. By the end of the second cut, Lewis has the crowd chanting “Jerry, Jerry.” At a time his career was at its lowest ebb, Lewis gives an inspired performance, proving, beyond doubt, he was still “The Killer.” Think you’ve heard “Money,” “What’d I Say” or “Long Tall Sally”? Think again. He leaves out “Breathless,” but that’s just what you’ll be by the time this disc concludes. One can almost feel Lewis’ foot coming through the speakers as he pounds away on his own hits, “High School Confidential,” “Great Balls Of Fire” and “Whole Lotta Shakin’ Goin’ On” as well as other early Rock classics, 14 in all. Even so, words can’t describe the music here - it truly has to be heard to be believed.”įrom the opening notes of “Mean Woman Blues” to the finish of “Down The Line” Lewis has this packed house shouting, sounding as if the patrons were sitting atop his piano, which some may have been. Jerry Lee Lewis destroys his rivals,” by Q as perhaps “the most exciting performance ever recorded,” and the Allmusic Guide, which says, “It is no stretch to call this the greatest live album ever, nor is it a stretch to call it the greatest rock & roll album ever recorded. Unavailable on CD until 1990 due to lost (and thankfully recovered) master tapes, the version to get is the 2004 deluxe edition, which adds 10 minutes to the original 31-minute runtime, thanks to the inclusion of alternate versions and bonus songs.īy the time he finishes, it’s a wonder the place is still standing.Ĭalled by Record Collector “the wildest rock ’n’ roll album of all time,” by Rolling Stone as “a crime scene. Along the way, there’s also the torchy, 10-minute-plus “Lost Someone” in which James worked the crowd like a master preacher. Today, the LP stands as an invaluable time capsule capturing a young, vital James Brown early in his career - but ready to tear it up! Backed by his vocal trio, The Famous Flames, and armed with a whip-tight band that hit every stop, start and break with precision and swing, Brown tore through a set of his early hits with the passion and energy that earned him the title “The Godfather of Soul.” Although he hadn’t come out with classics such as “I Feel Good” or “Papa’s Got a Brand New Bag” yet, Brown already had plenty of fine material in his arsenal by this point: the bouncy, playful “Think” the yearning “Please Please Please” (which kicks off an impressive eight-song medley) and “Night Train”, which brought the album to a furious finish. ![]() ![]() Live at the Apollo was a best-seller, spending 66 weeks on the Billboard charts and peaking at No. Record companies considered them pointless why would record buyers want the same songs they already have just because they’re recorded in concert instead of a studio? James Brown believed the public would want this record so much that he paid for the recording himself and pressured his label, King Records, into putting it out. ![]()
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